Olga SinclairOlga Sinclair, was born in the Republic of Panama, on February 14th 1957. Her first art lessons began with her father, painter Alfredo Sinclair. At the early age of fourteen she is part of a group exhibition with renowned Panamanian artists. In 1976, she began her studies in the School of Applied Arts and Works in Madrid, and followed a three years training in classic designs at Arjona Studios). In Amsterdam, she studied the Great Dutch Masters of the XVIII Century. At age eighteen she held her first individual exhibition in Panama.

In 1979, she joined Santa Maria la Antigua University, in Panama, and obtained her grade in Interior Design. In 1982, she follows engraving courses with Maestro Giangrandi. She returns to Europe in 1985; in London, she resumes her studies, she works, presents an exhibition and had her first encounter with Francis Bacon�s works at Tate Gallery.

The Mexican historian and art critic, Jos� Manuel Springuer pointed out that

At thirty years old Olga Sinclair, crosses the line that separates the good artist from the Master�, and states: �She has walked different roads that have taken her from figures to abstraction, returned to the figure with historic character and back to experimentation with pictorial space. She has a formalistic part of European character, more focused towards plastic experimentation and art concept. She synthesizes both moments.

In 2007, she develops a new artistic experience under the guidance of her Mexican teacher, Alfia Leyva del Valle: sculpture: She presents her works with the exhibition �It is the Pear!� in Mexico and Panama. In 2009, Arte al D�a of Miami, FL, publishes her great catalogue raisonn�e �Olga Sinclair: Works 1995-2008

El arte de Olga Sinclair es eminentemente femenino sin ser feminista�
Hans Roeder
Editor del libro Olga Sinclair Obras /Worls,�1995-2008

CRITICS

Pink, purple, green, orange, yellow, and warm tones, giving a strong body , which granted its mix touches of white space, as if the fabric suffered an electric shock: where the background color is wider and longer, then the brush creates vibrations and dynamism.
Marta Casati
Italian Critic

Sinclair's paintings are boldly executed, born to a shadow of opening in the path of art history.
James Mann
Curator
Las Vegas Art Museum

The peculiarity of Olga�s work lies in the arrangement of the form (�) the objects (kind of), and in the reflection of light rays, which shape the global sphere of her work.
Simon Simorangkir
Painter
Jakarta, Indonesia

In Olga Sinclair�s work, time is arbitrary and unpredictable; it crosses established dimensions and links present and past, preterit and imperfect. These leaps and variations settle in the work, fermenting from one painting to the next, until a general solution, very typical of this time in a constant state of transition is reached: The permanence of the ephemeral.
Jos� Manuel Springer
Critic, Mexico

Visit Olga Sinclair's web site www.olgasinclair.com